Antique Train Ticket

I was handed an antique train ticket. 1902. I don’t know who gave it to me, or why. One minute, I was walking, and the next, I had a ticket and a whisper; “go there”. Continue reading “Antique Train Ticket”

The Road to Self Publishing- The Cover

coverdesign

Ah, the cover. Easily one of the most important things if you actually want to sell your book. Covers are one of those things that are far more complex than it seems on the surface, so I’m going to break this up into several sections.

  • Why the cover is important
  • Should you hire?
  • Types of covers you’ll need
  • Tools of the trade
  • Cover Designers

If you’re not ready for all that, you can check out the other Road to Self Publishing posts.

Ready? Let’s get started. Continue reading “The Road to Self Publishing- The Cover”

Updates

First, I’d like to say that the next part of The Road to Self Publishing is on the way and will be posted tomorrow.

Second, I have a Facebook page now. So, if you’re on Facebook and would like to follow, you can find me here. I’ll be posting updates from this page as well as shorter writing talk and Facebook exclusive stories.

Lastly, if you haven’t heard, my book, ASH, is out. You can buy it on Amazon or check out the landing page for the other ways to buy.

There we are! See you tomorrow!

ASH Is Out!

My debut novel, ASH is finally out!

You can find the Kindle version here, or head over to its Landing Page to find other ways to buy.

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Help

“Don’t you move a muscle,” said the voice as something hard pressed into the small of Nicholas’s back. “You’re gonna empty your pockets, nice and slow.” Continue reading “Help”

The Road to Self Publishing- Amazon

amazon

Okay, it’s time to talk about the 500 pound gorilla in the room, Amazon. If you oppose Amazon on ideological grounds and won’t use them, that’s completely valid. This article just isn’t for you. I’ll be posting separate articles on the other marketplaces you can use. Continue reading “The Road to Self Publishing- Amazon”

Excerpt from ASH

I think I’m going to do something a little different today. Currently, I’m in the final phases of editing for my soon-to-be released horror book, ASH. So, I thought I’d post a freshly edited excerpt here, see what y’all think. Continue reading “Excerpt from ASH”

The Dragon’s Call

“Your Majesty, there is someone here to see you,” the footman said as he poked his head into the dining chamber.

Gregory sighed. There was always someone who wanted to see him. Ever since he became King. Couldn’t even let him finish breakfast. It couldn’t be helped, he supposed. “And who would this ‘someone’ be?” he asked. Continue reading “The Dragon’s Call”

Lost. Hungry.

It happened so suddenly. One second, they were traveling along the FTL stream, heading back to Earth, and the next they were out of it and the emergency inertia dampeners were engaging. Continue reading “Lost. Hungry.”

The Road to Self Publishing- Expenses

I told you it was going to start getting heavy around here, didn’t I? As it turns out, self-publishing can be expensive. Between editing services of all stripes, design services and marketing services, you can spend quite a bit publishing. Sure, you can go without all these services, but that leaves your book not getting a fair shake in the self-publishing world. So, what can you do?

First, I would like to note that you can always try your hand at the Traditional Publishing route. If that works for you, great! But this is The Road to Self Publishing, so I won’t be considering this option here.

With that out of the way, what options do you have if you’re dedicated to self-publishing but don’t have the money to get these services straight up? Well, there are some options.

Option 1: just do without. Of course this is an option. You can absolutely finish and publish your book without any of these services. The problem is, every one of these services will either make your work better or give it a better chance of being picked up. Without outside editing, you will miss something. This isn’t up for debate. I don’t care if you are a professional editor with 1000 books under your belt. It’s completely different with your own work. You’re too close to it and you absolutely need more eyes on it. The other two are more debatable. If you’re a good graphic designer or have a huge social media presence, you may be able to skip the cover design or marketing steps. Odds are, neither of those things apply to you. That’s okay! They don’t really apply to me either, but it does mean if we want people to pick up our books, we have to get a professional cover designed and buy some marketing.

Option 2: barter. If you’ve got friends with the skills you need, this can be a great option. Of course, this only works if you can offer a service they need in return. I’ve already used this extensively, and I expect the professional editing services to go smoothly because of my amazing friends. Unfortunately, it’s unlikely that you can eliminate the need for all professional services this way, but it is a good way to lessen the cost of what you do need.

Option 3: donation services. If you’ve reduced the cost as much as you can but still can’t cover it yourself? It’s time to set up a crowdfunding page. This has the advantage that even the poorest person can get the services they need, as long as they can make their case well. I’d like to go over a few of the major options here.

  1. Patreon. For creatives, it’s kind of the 500lb gorilla in the room. It allows people to give you recurring donations to create your work. This works really well for long-running, continual projects, like a podcast or webcomic. It’s great on the other side too, as patrons get exclusive content that they otherwise wouldn’t have access to. My problem with it is that this model kind of falls apart for self-published novelists. Especially for me, this is going to be my debut novel, so there’s really nothing for people to support on an ongoing basis. Plus, I have no exclusive content.
  2. Kickstarter/Gofundme. This is more the classic crowd funding model. You set a goal, and if you reach the goal, you provide the end product to backers first. You can also set exclusive rewards for backing at a certain price. This can work really well for a novel as it’s tailor-made for projects that have a definite end. This does, however, require you to be a good marketer, in order to sell the idea of your book to enough backers to reach your goal.
  3. Ko-fi/etc. This one represents all the various services that act as a sort of virtual “tip jar”. If you’re doing work besides your novel, this can be a good option, as it’ll let people pay for the labor you’ve already done (if they want to, of course), and you can use it to improve your novel. Personally, I really like this option.

So, what option did I pick? Since I do short stories and articles here, I decided to pick up a Ko-fi page to try and cover my editing costs. I like the idea of a virtual tip jar as it removes the pressure from my audience. Like a story or found an article helpful? Donate if you feel like it. If not, no worries, I’ll still keep doing this stuff. It lets my audience do something a little more tangible than just hitting a “like” button. Here’s a link to my Ko-fi:

Buy Me a Coffee at ko-fi.com

I might do an article about the realities of running a donation page later, as I feel like that is increasingly an important part of the self-publishing experience. I hope this helped you and, as always, you can check out the other Road to Self Publishing articles here.